Perhaps it speaks to my slightly dramatic nature, but I can’t help but reflect profoundly on what will occur just 12 hours from now.* Tonight I will make my debut performance in one of Balanchine’s greatest (and first) ballets, the iconic Apollo, and I am feeling allllll the feels.
There’s something so special about dancing a Balanchine ballet- working with the illustrious Trust, perfecting each stylized step and unusual count- that changes you. There’s some stirring sensation in knowing that exactly those movements your body transmits now were carried through time and passed from dancer to dancer, finding their way from emulation by some of ballet’s most legendary to your very own splayed fingers. It invigorates in such a different way than work choreographed on your body can. Highlighting the deeply historical nature of our art form, Balanchine ballets not only challenge a dancer’s ability to adapt in technique, but also to punctuate with a pinch of her own spice.
It has been a bit of a turbulent ride, but we had our first dress rehearsal yesterday, and this evening I will join the ranks of some truly incredible artists who have danced this ballet before me. Mindaugas, our Apollo, is one of the best this role has ever seen (Sandy’s words!), and I can hardly believe I will be dancing with him in his final few Apollo‘s. To say I feel honored would be an understatement.
If you are in the RI area, do not miss this bit of history. For tickets.
*Can you reflect on something that has not yet happened? Is this a new level of overthinking for me? Uh oh.
Apollo across generations: Jacques d’Amboise, Jean-Pierre Frolich, Mikhail Baryshnikov, and FBP’s own Mindagaus Bauzys. Thank you to Brenna DiFrancesco for snapping the photo of us in yesterday’s dress rehearsal.
Apollo choreography by George Balanchine©