perform

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I have spent the greater half of my life looking in the mirror. This is not the reflection (harhar) of a vain mentality, but the strange requirement of an artist seeking precision in physical lines. Yes, movement quality and emotional expression are absolutely essential, but intentional formation of the body churns in the heart of classical ballet.

This time spent studying my reflection, though not always easy on the ego (we can’t all look like Sylvie), has actually proven quite informative. Over the years I have learned a great deal about my body, how to command its strengths and how to deal with its weaknesses. I’ve also picked up a few really helpful tweaks for simulating a cleaner line. An incredible coach once told me,

“Ballet is an illusion. We must strive for the unattainable always and harmonize where we fall short.”

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Enter Zarely. Engineered with comfort and aesthetics in mind, Zarely tights aim to create a more visually stunning appearance for the wearer. Using the intricate art of optics inspired by illusionist Victor Vasarely (also the inspiration for the brand’s name), each piece features unique designs catered to a dancer’s highly distinct needs.

For example, the performance tights (pictured here) feature special light-reflecting fabric to create a slimming effect and a thicker weave at the toes and heel for traction inside pointe shoes. No more ripping up the heels to avoid shoe-slippage! Or was that just me?

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Personally, I like my performance tights to be thin enough that those hard-earned leg muscles aren’t hidden. Of course this exposure is usually only attained through sacrifice; a thinner knit compromises the fabric’s strength, making it more susceptible to tear. In other words, yes, I’ve ripped holes in tights straight out of the packaging before. Moments before a performance. No bueno. Zarely tights are thick but also sheer (sorcery), fusing durability with delicacy to create a truly stunning look.

Like the rehearsal tights, the waistband on these is not too tight (goodbye, muffin top), but also not saggy, perfect for dancers like moi who tend to pull our performance tights up Urkel-style to the top rib before hooking into that tutu (wink). They also have a super flattering- yet somehow tactically undetectable- seam up the back of the leg. Ooh la la…

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Perhaps my favorite feature, though, is the softness of these things. They are a special kind of, “Okay, okay, I’m slipping into these things at 8 am for a morning school show and I’ll be wearing them until the end of stage rehearsal at 10 o’clock tonight and I can do it all without itching my quads off” soft. Yeah.

But don’t just take my word for it, see (and feel!) for yourself; Setting The Barre readers receive an exclusive 20% discount by entering the code KIRSTENZARELY at checkout.

 

all photos by Jenay Evans for Setting The Barre.

One thought on “perform

  1. Pingback: recover | Setting The Barre

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