Tiny netted buns flock from all directions toward Lincoln Center, filling the surrounding sidewalks with even more bustle than usual. It’s April in New York City and that means flowery trees, energetic birds, and equally excited young ballet hopefuls buzzing backstage at Youth America Grand Prix.
Wednesday night’s Final Round filled me with all kinds of nostalgic warm fuzzies, a feeling that never quite managed to find me while I was actually competing all those years ago. As the gold curtain rose on little Remie Madeleine Goins, first competitor of the evening, those fuzzies shifted from nostalgia to pure adoration (is there anything cuter than a beautiful, 12-year-old teeny Harlequinade?). About 7 seconds in, that feeling shifted again to one of astonishment; Little Miss Goins whipped out some pretty spectacular pirouettes with gusto and sass to match. She went on to win the Shelley King Award For Excellence, and excellent she was.
From there the performances ebbed and flowed, with standouts in a seas of Esmeraldas from ultimate Junior Grand Prix and First Place award-winners Madison Penney and Hannah Park, respectively, as well as a technically clean and precisely French Satanella from Elisabeth Beyer. The crowd fell hard and fast for Taro Kurach’s Basilio (the longest applause I’ve heard at YAGP since Jim Nowakowski), but for me, the true highlight of the night came from sweet Viola Pantuso’s Fairy Doll variation. Though her success was no huge surprise (Miss Pantuso hails from Ellison Ballet, aka New York’s Leading Compete-erina Factory), a rather serious tumble mid-solo did leave things hanging in the balance a bit. What impressed me most was not the way she popped right back up without missing a beat, gorgeous technique highlighted by a tastefully sparkling costume, but her unmistakable stage presence- that thing that simply can’t be taught. It can be coached, though! And ex-FBP Ballet Mistress/dear old friend, Jolanta Valeikaite (who was previously honored with YAGP’s Teacher of the Year Award), is just the woman for the job! Leave to sweet, tough, brutal, loving Jolanta to put her whole self into nurturing a perfectly polished performance. Bravo!