elements

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There are few more hallowed grounds in the great cavernous world of dance than those woodsy ones that comprise Jacob’s Pillow. Being relatively quaint in composition (that is, when compared to say, the gilded curtains at Palais Garnier or even our own fabergé egg in Providence), is no accidental affair; The space at Jacob’s Pillow invokes an unbridled celebration of marriage between movement and nature. I mean, the celestial “pillow” itself is an oversized rock, so, there you have it. Stages unencumbered by adornment, curtains, walls…

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Could any such space appear more divinely designed for Louisa Chapman’s “The Elements”? On Saturday afternoon the sun was shining, the sky showing off a perfect milky blue, and the wind was so gracious as to help the trees do some dancing of their own. From between branches that same wind whirled down around our faces as we emulated flocking birds, an invisible current, congested leaves, and finally ourselves, gently blown aback by the sweet scent of summer. This feels like something I should further describe the feeling of, but I already have: simply the perfect marriage of movement and nature.

 

 

second photo by Michael Collins.

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