c l o u d & v i c t o r y

I first fell in love with Cloud & Victory via social media.  It was a classic tale of Instagram romance, if you will.  There were pizza emojis, hilarious narrations, and captions that spoke to my soul.  This one made me laugh especially hard…Screen Shot 2016-04-28 at 12.23.39 PM.png

Cloud & Victory seems to speak the mind of today’s ballet dancer.  Aside from all that Instagram brilliance, the collection itself is spotted with fun pop culture references, snarky quotes, and of-the-moment affirmations.  The clothing (in design and manufacturing) is unusual, honest, and indisputably quirky.  My jeté en l’air like you don’t care tee always cheers up a long Saturday in the studio, its cheekiness matched only by the lightness of its fabric.

 When I saw this, I cracked up and just knew I had to reach out to Min, the genius behind the C&V brand.  We instantly connected (thanks social media and shared interests), and sweet Min sent over a tee from the Spring collection (Blood, Sweat & Pirouettes could not be a more accurate description of the Swan Lake preparation process- and yes, I do sweat glitter) as well as the Svetlana Zakharova/Carl Sagan mash-up inspired by the former’s Odette (because Carl Sagan as Odette would probably be more of a turtleneck situation).  I snuggled up with my super soft new duds and chatted with the lovely Min about the dancewear brand that bolstered her in the wake of very personal despair…about-cloudandvictory-min-with-miko

Hi Min!  Let’s get right to it.  Tell us how Cloud & Victory began.

I had become anorexic and clinically depressed when I was in law school from pushing myself too hard, and had taken a year off to recover. A new ballet school opened near my home, and I decided to take some ballet classes. Ballet was really helpful to my recovery, and when I returned to university to finish my degree I decided to design and sell some fun ballet tops to cope with the trauma of going back to school – clothes I would want to wear. After graduation, I was still too ill and weak to take a full time job, so I decided to focus on the clothing thing for a few months while I got better. Even though it was supposed to be temporary, I took it very seriously! I knew that I wanted to offer a socially-responsible product, with clothing that was high-quality and ethically made. I did a lot of research and put a lot of work into it. The word got out very gradually, but the response was very positive, both from professional dancers and students, so I kept going and going. And I haven’t stopped!

It’s hard work but I love C&V and am grateful to have the chance to do what I’m doing. I’m also very lucky to have my family’s support – even though they initially didn’t have a clue about ballet and were pretty skeptical of this funny online thing I was doing! Cloud & Victory is actually a combination of my parents’ Chinese names.e1c9c0b921fb433123340ef412f0d9a8 (1)

Your story is really quite beautiful.  What has been the most special moment for you in creating this brand?

Oh gosh, so many! Shooting with my friends, like Joy Womack, Keenan Kampa and Miko Fogarty. A forthcoming collaboration with Gaynor Minden. Going backstage after an ABT performance and realising that a bunch of dancers knew about C&V. Diana Vishneva contributing her pointe shoes to a fundraiser I organized for Nepal earthquake victims. A woman e-mailing me to tell me that an interview I did with Royal Danish Ballet’s Carling Talcott about our experiences with anorexia encouraged her to seek help for her eating disorder. All the people I’ve had the privilege of meeting, collaborating with and befriending through C&V – I treasure all these moments and relationships. They keep me going when I feel discouraged or burnt out.SS16-Lookbook-8

The biggest one that stands out for me right now was going to Russia to shoot with Joy – I had my photographer and backup photographer cancel on me just days before the trip, Russia had just invaded Ukraine so there was a lot of uncertainty, and I was one of the few crazy foreigners going into the country instead of trying to get out. This short Chinese person, wandering into Russia. But thankfully it all worked out.

“I had never imagined when I started C&V that I would ever end up in this place, this ballet mecca, and pull off this crazy, incredible experience.”

 

I got to collaborate with Joy again and watch her perform, which was such a treat. I met and took pictures of some lovely girls from Vaganova school, some of whom I’m still in touch with – I couldn’t believe that all the way in Russia, there were dancers who liked C&V and wanted to work with me! odette

On my last night I watched the Mariinsky perform. It was amazing – my first ever Ratmansky! After the show, I was waiting by the canal between the old and new Mariinsky buildings for my friend Xander. I remember looking up at the night sky and crying: it was so surreal. I had never imagined when I started C&V that I would ever end up in this place, this ballet mecca, and pull off this crazy, incredible experience. And then Xander popped up next to me and I had to hastily tidy myself up without him noticing. Luckily it was dark!

Most of the Russians I met were really nice and helpful as well, I’ve heard from my Russian friends that this isn’t always the case!

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Wow, squad goals is right!  You have had some pretty incredible experiences so far.  What’s your ultimate pipe dream?

Well, of course every business owner wishes for their brand to be successful. I suppose my biggest goal would be for C&V to be in a position where thorough it I can contribute consistently and meaningfully to the world we live in, and to foster a ballet community where we can help and empower each other. It sounds terribly cheesy, but it’s true! Oh, and to be less stressed. Less tired, more inspired – that’s the dream!

AMEN TO THAT.  

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Thank you so much Min, for generously sharing your humor, your story, and your glorious designs!  Head over here to shop and learn more about Cloud & Victory on their blog. xx

All photos via Cloud & Victory.

rehearsal chic

NYC Ballet Ballerina Style

After reading this article on HuffPo about the style of NYCB’s ballerinas, I started considering; how exactly does one’s in-studio style develop?  Everyone has their preferred dancewear flavor, from the guy who sports a wrestling singlet every Saturday to the girl who never starts class without her fluffy knit shawl.  We’ve all seen (and worn) some version of the sheer black wrap skirt and we revel in the magic of the tights-turned-bra-top trick.  We’ve certainly all experienced the softness, warmth, and fat-day-concealing power of the baggy cotton overalls that are somehow deemed acceptable garb within the half circle of wooden barres.  A company-wide rumor of unclaimed “trashbag” anything (shorts, pants, jumpsuits) in the lost and found excites us beyond belief.  But what exactly determines which odd ballet trend we go for?  Why do some of us reach for a sleek black camisole while others relish the chance to don a bright purple Yumiko in the morning?

Personally, I think it has something to do with our sartorial choices outside the studio.  Par example, one of my best friends is a true earrings girl.  From big studs to pearls to danglies (made that word up), she has a big jewelry box stuffed full of them…it’s like the Whole Foods bulk section in there.  She never leaves the house without some kind of ear decor, and she’s even been known to coordinate her earring/leotard combos quite painstakingly.  The brilliance in her dressing?  Without many other options for accessorizing your rehearsal-wear (shoes don’t deviate much from pink satin and necklaces/bracelets/scarves can be cumbersome), earrings are a really smart way to jazz up your ballet gear.  So bravo, T!

As for me, I’m getting pretty excited about a custom-made pair of leg warmers currently being knitted for me by the lovely Vilia Putrius.  Her stuff is seriously amazing…can’t wait to see how these turn out!

Happy Monday!

flea on the canal

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You could say I dove head first into Providence’s “local spirit” this past weekend…

After the farmer’s market and Summit Music Festival on Saturday, I decided to fully embrace the city’s community events by enjoying a little brunch at Three Sisters then checking out the South Water Street Sunday flea market for the first time ever.  Between the laser-cut wooden earrings and impressive line-up of food trucks, all I’m left wondering is where has this thing been my entire summer?!  I had such a blast sifting through racks upon racks of vintage clothing (the Coast to Coast vintage mobile shop has the BEST collection), sharing a fresh tropical smoothie with zee boyfriend, and people watching in one of downtown’s most underrated locations.  I cannot believe I’ve never attended this artsy haven before.  Officially SOLD.

Wear Your Heart On Your Sleeve

I have always been a huge fan of elbow pads.  The preppy little patches add interest to any long sleeved top, providing an unexpected element of style without going over the top.  When I saw this DIY on Honestly..WTF, I immediately bookmarked it as something I must try to recreate.  At first, the task of turning wool roving (that stuff is not easy to work with!) into cute and contained little heart shapes to decorate my ‘bows seemed daunting, but it turned out to be a piece of pie!  What I love most about it is that you are creating the heart patches AND attaching them all in one step!  If you follow the instructions carefully, this DIY will yield the exact desired results.  So what are you waiting for?!  Go decorate your elbows!

Set It Up Right

Here are a few quick shots of my post-show outfit for tonight- the last UpCloseOnHope of the season!  I’ll be wearing my new Joie top (which happens to be the softest shirt I have EVER felt), my new Lucky jeans, the infamous stilt-like Kimchi Blue wedges, a Juicy Couture multi-chain chocker necklace, and a silver Tiffany’s cuff.  I’ve been loving the pajamas-in-public trend lately (see here and here), and the buttery softness of this top combined with the double chest pockets give the effect of relaxed jammie style without being quite so literal.

{The title of this post is also the title of the piece I’ll be dancing tonight.  It’s a contemporary ballet piece set to The Vitamin String Quartet’s rendition of several different Lady Gaga songs.  I know…awesome, right?}

Kaleidoscope Eyes

Ana Montiel is a London-based, Spanish artist and designer whose mediums range from screen printing to ceramics, through surface design and collage.  I love, love, love, her use of color and the way she juxtaposes the sharpness of repetitive geometric shapes with the softness of pastel tones.  She creates mesmerizing patterns reminiscent of different scenes from nature, bringing a field of fresh wildflowers into your home without painting that tired old bouquet-of-flowers-in-a-white-vase picture we’ve all seen just a few too many times.  What makes her work even more intriguing?  Montiel’s designs are put through an intricate transfer process to produce wallpapers, curtains, shoes, clothing, furniture, even bicycles. Imagine riding down the street on a bike covered in that awesome geometric pattern?  Or eating  breakfast on a one of a kind pastel-colored placemat?  Swoooooon.