with Alan Alberto in George Balanchine’s Rubies, photo by Zaire Kacz Photography, choreography c. The Balanchine Trust.
DISCLAIMER: There are a lot of exclamation points in the post. I do try to use them sparingly, but sometimes there is just a lot to exclaim. Here goes.
In just a few short weeks, Festival Ballet Providence’s 40th year kicks off, celebrating our “Ruby Anniversary” with a packed season. The full schedule is on the website, but a few things I’m looking forward to…
The return of Viktor Plotnikov’s The Widow’s Broom, a gorgeous production based on the work of an author who is near and dear to my heart, Chris Van Allsburg.
The 40th year (and my 18th!) of The Nutcracker at PPAC. My FBP Nutcracker experience is a legal adult. She’s graduating highschool and registering to vote. This is BIG, you guys.
The Director’s Choice mixed bill in February (on the weekend of my 26th birthday) featuring Christopher Wheeldon’s The American, George Balanchine’s Rubies, and a world premiere by Viktor Plotnikov set to Igor Stravinsky’s iconic The Soldier’s Tale (with live music and narration!).
A little tour (!) to the University of New Hampshire in April.
The Little Mermaid in the spring! My niece will flip.
I would also like to formally announce that for the 2017/2018 season, I will be joining the staff at FBP as Assistant to the Communications Director!(!!!) Look out for a whole new angle of behind-the-scenes peeks from what I predict will be a very busy Keeks!
Okay, now I am done.
Will I see you at the theatre?