opening little windows

Dancers being dealt months of dormancy throughout the company’s most changing time has its obvious challenges. Less overt but perhaps more productive to consider, though, are the many openings that come with prolonged pause. Small but mighty things that contribute to grand personal evolutions when collected over time. Tiny victories and lessons gathered as the results of risks taken during times of rediscovery. Or maybe it’s just reacquainting…

Complicated technique that has slipped away paves a path for correcting old habits. Deep grooves that once sculpted your thighs have smoothed over for a new artist’s carving to begin. Even simple things become fun endeavors to discover; Considering a new brand of pointe shoes? Remember this old leotard you used to love? What about this rehearsal skirt that never got worn? Everything is just a bit more precious. There’s no need to save it for later. All cards are fair game.

These realizations are helpful when you are waist-high in creating a reimagined Nutcracker. One that’s not only different from the production you have danced through 19 Decembers, but different from any show you’ve ever even seen. Because it’s outside. In a parking lot. And there are masks, and skipped scenes, and forced heat. It’s amazing how a year of perspective-change training can make all of the “shortcomings” into miracles. How lucky are we to be given this grant, this space, this time to refocus on our craft? This is the process that gives us life, what makes us tick. The mundane, the repetition, the midnight ache. All of these thorns in our sides that let blossom our art.

As we watch cases rise around the country and here in RI, we remain hopeful that this new Nutcracker will move forward and that we will be able to bring some much needed cheer to our community this season. If you are around, consider bundling up and seeing something new here in Providence.

tis the season to drink baileys

Have you seen Baileys’ latest holiday-inspired tv ad?  The Nutcracker themed commercial features an epic Rat King battle for the beautiful Clara, who stars in this version of the story as an ethereal, light-footed bar patron out for a night in “Candyland” with her girls.  A bedraggled protagonist is found in our studly Nutcracker Prince- love how they made him look like he’d been off at war for some time before stopping for a beer Baileys in the twinkling, chandelier-studded bar.  The Rat King, a tattooed-and-facial-scruffed hunk of man intervenes in the (extremely confident) Nutcracker’s sweet courting of light-as-air Clara, resulting in a ballet battle of carefully crafted roundhouse kicks, expertly choreographed by my Nantucket bff, Natalie Portman babydaddy arm candy husband, and new Paris Opera Ballet director, the ever dreamy Benjamin Millepied.  The dancing, executed by Royal Ballet dancers Steven McRae, Thiago Soares and Iana Salenko, is impressive to say the least.  There is something about the soft fluidity and pure power of the Royal Ballet that always astounds me.  I also love the girl-power message by Baileys, as Clara turns the tables on our dance fight, only to return to her friends for more fun, leaving us with the suggestion to “spend time with the girls this Christmas”.  Don’t mind if I do!  Check out the making of the commercial for yourselves, down below…