“Don’t bite off more than you can chew,” they said. “Time management is my jam!”, I boasted in response. Oh my sweet friends, time management skills…
Pumpkins, witches, press releases, and midterms. Out of state reviews, at home interviews. Rehearsals and lack thereof. Community Land Trust events, a surprise Fireball appearance. Vegan transitioning, city strolling, gift shopping for a soon-to-be5-year-old. Dish washing, pointe shoe prepping, tea date catch ups, Swan Point walks. Show consolidation, damage control; busy messy life. Plans, schedules, routines, lists. Music to my ears.
Most days are spent navigating the quirky soundscape of Aleksandra Vrebalov’s beautiful score, picking apart Viktor’s intricate choreography and placing pieces into my body parts. I smooth them in with a few hundred repetitions. I am a mother in the morning, a widow when the lights darken. Buzzing in the kitchen, lonely in my rocker.
As you can see by the scattered nature of this post, it’s been a busy few weeks. I promise, I’ve been doing a lot of writing! Just not here. If you’d like to see, here’s a bit of what I’ve been up to…
My review of New York City Ballet‘s Here/Now Program celebrating contemporary choreographers, up now on The Wonderful World of Dance.
My interview with beloved children’s book author/illustrator Chris Van Allsburg (The Polar Express, Jumanji)– conducted entirely through snail mail- now on Festival Ballet Providence’s blog.
A press release for our first main stage performance, The Widow’s Broom, up on several different media sites, but here it is on Broadway World.
My interview with Tony Award-winning set designer Eugene Lee (of Wicked, Sweeney Todd, and Saturday Night Live) for Festival Ballet Providence’s blog.
photo by Jacob Hoover.